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MUSICAL FAMILY TREE TRACING LIABRAATEN'S MUSICAL ROOTS TO LISZT & BEETHOVEN
The
multi-faceted musical talents
of Craig
LiaBraaten ~ concert pianist, singer-songwriter,
teacher-conductor,
commissioned composer for stage and television, recording artist,
humanitarian-philanthropist -- has been featured in
over forty states ~ from the Seattle Opera
House
to Florida's Disney World and from the Minneapolis Convention Center to
the Louisiana State Capitol. He has collaborated on stage
with Victor Borge, the Baton Rouge Opera, The
Minnesota
Orchestra, has performed with some of the world's finest
conductors ~ Sir Neville Marriner, Robert Shaw,
and
Leonard
Bernstein ~ and for royalty
from
Norway, Denmark and Sweden. LIABRAATEN
BIOGRAPHY
Briefly, Craig LiaBraaten's
"Musical Family Tree" looks like this: CRAIG LIABRAATEN STUDIED
WITH GYORGY SEBOK, WHO STUDIED WITH BELA BARTOK, WHO STUDIED WITH
ISTVAN THOMAN, WHO STUDIED WITH FRANZ LISZT, WHO STUDIED WITH CARL
CZERNY, WHO STUDIED WITH LUDWIG VAN BEETHOVEN. Quite an impressive
musical family for all the pianists and chamber music ensembles who
have had the pleasure of studying under the renowned Gyorgy
Sebok. Here in more detail is Craig LiaBraaten's Musical
"Family Tree": Beethoven entrusted Czerny with the premier of Beethoven's finest piano concerto, "The Emperor". Czerny (1791-2857) was a central figure in the transmission of Beethoven's legacy to a new generation of composers and pianists. It has been aptly stated that "Beethoven's spirit was transmitted by Czerny to Liszt." Beethoven was so enthralled with Czerny's musicianship and technique that he offered to teach the young Czerny several times a week. Liszt said Czerny was:
"That good master to whom I owe both my talent and my success." When
Beethoven met and heard the young Liszt perform in 1823, Moscheles wrote in 1827
of Liszt after hearing him at a London concert: "In its power and
mastery of every difficulty Liszt's playing surpasses anything
previously heard." In 1827 Liszt was only sixteen years only. And
Beethoven died in 1827. So the musical baton had been passed to Liszt
through Czerny. By 1844 Liszt was
universally regarded as the world's greatest pianist (at age 33). In
1845 the Portugal press described Liszt, then 34, as "The God of the
piano." By 1847 Liszt had ended his famous virtuoso career and never
again accepted a fee for any future concert. In 1863, at age 57, Liszt
entered Madonna del Rosario monastery in Rome, and Liszt played piano
for the Pope. In 1868, 57-year-old Liszt became the first musical
philanthropist in music history by performing a fundraising concert in
Rome for the needy. Liszt performed for the Pope and dignitaries. In 1875 Liszt, then age
64, was appointed President of the Budapest Music Academy. In 1886, the
same year the Statue of Liberty was unveiled, Liszt, age 74, died of
pneumonia. Liszt is perhaps the most
significant piano teacher and touring artist in history, for Liszt is
the inventor of the piano recital and the piano master class. No
pianist has had a bigger impact on modern piano playing and teaching
than Franz Liszt (1811-1886). According to David Dubalt, in his
monumental book "Reflections from the Piano", sums up how much of a
visionary Liszt was: "Liszt possessed the most pianistic mind in
history." According to the Liszt
Ferenc (Franz) Memorial Museum in Budapest, hungary: "Istvan Thoman and
Arpad Szendy were the two most representative inheritors of the
Liszt-tradition in Hungary." Istvan Thoman "carried the legacy of Liszt
both in his personality and in his teaching methods." Bela Bartok (1881-1945)
studied with Istvan Thoman until 1903, and in 1907 Bartok replaced the
retiring Istvan Thoman on the faculty at the Liszt Academy in Budapest.
Bartok so admired Thoman that he dedicated his finest piano
composition, Sonata (1926) to his piano teacher and mentor, Istvan
Thoman.
Gyorgy Sebok (1922-1999)
studied with Bela Bartok, and in 1949 Sebok
was named Professor of Music at the Bela Bartok Conservatory in
Budapest. After the Hungarian revolt in 1956, Sebok settled in Paris.
In 1957 the first of his many recordings won the esteemed Grand Prix du
Disque. Gyorgy Sebok received numerous
honors, including the Hungarian government's Cross of Merit, La
Medaille de la Ville de Paris, Echelon Vermeille, and the Kulturpreis
des Staates Wallis, (Prix de Consecration). In 1996, the French
government bestowed on him the decoration Chevalier de L'Ordre des Arts
et des Lettres. Sebok is famous the world over for his Liszt-tradition
teaching and the many master classes he has given from Tokyo, Japan to
Freiburg, Germany to Banff, Alberta, Canada.
It was at just such
a master class in McMinneville Oregon that Gyorgy Sebok met his
protege, Craig
LiaBraaten. Immediately after LiaBraaten's first performance of Liszt's
difficult "Transcendental Etudes" in the master class, Maestro Sebok
proclaimed to the other pianists in attendance and the public audience
in the auditorium that LiaBraaten was "a born pianist" and "a born
musician". Sebok and LiaBraaten formed a special bond that day.
LiaBraaten's respect and admiration for his teacher, mentor and friend
is deep and lifelong.
Gyorgy Sebok
recruited Craig LiaBraaten to study with him for five years at Indiana
University School of Music in Bloomington, Indiana, during which time
Sebok instilled in LiaBraaten the pure pianism of the Liszt approach ~
intensity without tension. When asked in a national interview how to
produce emotional intensity without tension, Janos Starker has quoted
Gyorgy Sebok as saying "Create excitement. Don't get excited." This is
the Liszt philosophy, passed down from Liszt, through Istvan Thoman and
Bela Bartok to Gyorgy Sebok. And for five intense years of one-on-one
study, those principles of complete freedom at the piano were passed on
to Craig LiaBraaten, who now passes them on to his students and
proteges. Thus the Liszt tradition continues. Many other
successful students of Gyorgy Sebok, such as Rebecca Penneys at the
Eastman School of Music, have similar respect for the legacy that
Maestro Sebok has passed on to them. Lawrence Campbell, Professor of
Piano at Illinois Wesleyan University, Bloomington, IL has been quoted
at saying: "Gyorgy Sebok inspired an even greater technical
development in my doctoral studies at Indiana University. Truly a
keyboard wizard of the highest order, Sebok offered such uncanny
insight into the physiology of technique that no student came away from
his lessons without a powerfully enhanced grasp of keyboard technique." Tannis Gibson,
Professor of Piano at the University of Arizona, Tucson, AZ, who holds
a Master of Music degree from Julliard has stated that the most
influential person in her study of the piano is "Gyorgy Sebok, who was
for many years a member of the piano faculty at Indiana University in
Bloomington." Gibson explained that master classes with Sebok at Banff
"were pivotal experiences that helped me put together valuable concepts
regarding my playing. Sebok had a compelling way of communicating ideas
that somehow reached down into the core of the issue being addressed.
His observaions were insightful and brought to life through sparing,
but colorful language. Sebok was, and continues to be, an inspiration."
The late Gyorgy
Sebok was Distinguished Professor of Music at Indiana University from
1985-1999. Sebok was born November 2, 1922 in Szeged, Hungary. He
began his studies with Bartok at the Franz Liszt Academy in Budapest in
1938. In 1958 Sebok captured the Grand Prix du disque for his Erato
recording of Franz Liszt. Sebok left Europe in
1962 and followed his good friend and chamber music partner, Janos
Starker, to America and Indiana University, where they both enjoyed
long and successful teaching, performing and recording careers. Sebok
died unexpectedly November 14, 1999 in his home in Bloomington, Indiana
at the age of 77. Gyorgy Sebok has
left an immense and intense musical legacy. Sebok's life work now lives
on through his students, like Craig LiaBraaten, Rebecca Penneys,
Lawrence Campbell, Tannis Gibson, A. DeWayne Wee, Nancy Paddleford,
Shigeo Niriki and others. As such, the Liszt legacy, the Bartok legacy
lives on, too. Being
mentored by Sebok has been a
life-changing experience for all Sebok students who have had the
distinct privilege and honor of delving deeper than simply attending
his internationally-revered master classes. To spend five intense years
side by side with the master is an amazing journey. For this reason,
Craig LiaBraaten, CEO of Living Water Music, Inc. and the LiaBraaten
Teaching Studios brings to the fore a piano competition that honors
perhaps the finest piano teacher and one of the finest human beings of
this past century. THE GYORGY SEBOK INTERNATIONAL PIANO
COMPETITION is a humble but heartfelt attempt to honor the man and
mentor who has impacted young musicians like Craig LiaBraaten in such a
positive way.
For More Information on
Recording Artist Craig LiaBraaten
Craig LiaBraaten ~ Brief
Biography
PHOTO GALLERY LIABRAATEN TESTIMONIALS & RECOMMENDATIONS Sterling Education World Piano Competition Bob Dylan and Kevin McHale LiaBraaten's Family Life Interlochen Fine Arts Center St. Olaf Concert Choir Distinguished Professor Gyorgy Sebok Indiana University School of Music Master of Music With High Distinction Bela Bartok Franz Liszt Grand Prix du Disque LiaBraaten: A World-class musician whose roots ~ and now his livelihood ~ are presently based on the Iron Range in Northern Minnesota. To Reach Craig LiaBraaten Online
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